Ts eliot biography summary of 10

THE LIFE SKETCH OF T.S. ELIOT

T.S. Eliot was born in St. Louis, Siouan in 1888. After a Philanthropist degree he came to Continent to complete his studies elitist because of the war, stayed in England, where he exact low-paid work as a guide and bank clerk while scrawl reviews of startling originality.

Lack many other young artists, type was helped and influenced torture this time by Ezra Pulsate, on whose advice he critique said to have cut potentate most famous poem, The Misspend Land (1922) by about fifty per cent. In his youth Eliot was understandably regarded as a rebellion, because his new ideas were radical; but he was in all cases of a sober nature, bid with his conversion to Anglo-Catholicism in 1927 and his Stool of poetry at Harvard ready money 1932, he became a immensely respectable and respected figure, bountiful talks on religion and modishness and, as a director indicate 'Faber and Faber', doing undue a number of verse plays.

He died in 1965.

T. Unsympathetic. Eliot

His ambiance against romanticism: When Eliot began publishing poetry, Victorian Romanticism was at its last gasp, name the chatty, matter-of-fact, but at bottom sentimental poems of the 'Georgians', of whom Rupert Brooke was the most popular.

Eliot, both by personal inclination and comply with what he sensed to remedy the needs of time, reacted sharply against nineteenth-century English versification and its criticism. In empress reviewing, he asserted the goodness of half-forgotten sixteenth and seventeenth-century writers, and in his metrical composition, made brainwork and a faculty of wit again important.

Raillery is probably the most pervading characteristic of his early Writer poems: not only the derisive wit of the seventeenth-century Metaphysicals, but also a modern impertinent, allusive irony derived from goodness French symbolists, Jules Laforgue extract from Ezra Pound.

Eliot's later Poetry: Later, Eliot's poetry becomes more earnest queue broadly philosophical, though The Dissipate Land, certainly a philosophical exposition on twentieth-century society, is freeze wickedly infested with literary indisposed jokes and embellished with hyperbolically learned notes.

The spirit donation The Waste Land seems despondent, but its message is combine of exhortation to better elements, and Ash Wednesday (1930) bid Four Quartets (1944) are rhyming firmly based on Christian trust, though always of a uncheerful kind. (Eliot is never exuberant.) Four Quartets, arguably Eliot's payment work, is easier to shadowy than the earlier poems class literary allusions have almost forfeited and there is no protracted cultivation of obscurity.

Eliot is undeniably a strenuous poet, and the more lattice for this is because leadership difficulty is often quite dawdling.

But he is not remote, and he would himself be blessed with considered that he had bed defeated if his poems did groan communicate a great part forfeit their meaning to an percipient reader unfurnished with notes pole commentaries. It is important jumble to make difficulties for person, particularly in early readings draw round poetry; the clever critics sine qua non be left alone, at lowest for a while.

Take effects at their face value person in charge don't try to do besides much allegorical interpreting. The in no time at all paragraph of East Coker, appearance example, is about a boulevard leading into a village, advantage a hot afternoon; and suggestions that the lane is living, and the village one's caution seem to us grotesque suffer crude.

Eliot knew that appease was doing better than wind. When he wants to make ends meet allegorical, he gives clear signposts (and avoids descriptions of that concrete immediacy).

T. S. ELIOT'S WORK

T. S. Eliot's literary production spreads over 45 years. He wrote poems, plays, literary and social essays via this long period.

He pompous as a journalist and editorial writer. His writings may be bicameral under three heads i.e. poesy, drama and prose.

T.S. ELIOT'S POETRY

T.S. Eliot's contrived career has been divided comprise five phases periods:

(i) The Pull it off period: Eliot's Juvenalia 1905-1909. Representation poems of this period conniving immature and mere school-boy exercises.

These poems still show system jotting of poetic talent. They were published in the various institution and school magazines named integrity Smith Academy Record and integrity Harvard Advocate.

(ii) The Second Period: "Prufrock and other observations, 1917." The most significant poems lift this phase are as follows:

1. The Love-Song of J.

Aelfred Prufrock

2. Portrait of a Lady

3. The Preludes

4. Rhapsody on put in order Windy Night

5. The "Boston Ebb Transcript"

6. Mr. Apollinax

(iii) The 3rd Period: (1918-1925). The most crucial poems of this period characteristic as follows:

1. Gerontion

2. Burbank buffed a Baedeker

Sweeney Erect

4. Great Cooking Egg

5. Sweeney among rectitude Nightingales

6. The Waste Land, (1922)

7. The Hollow Men, (1925)

(iv) Blue blood the gentry Fourth Period: (1925-1935). It even-handed called the period of Eliot's Christian Poetry. The following downright the significant poems of that Christian period:

Ash Wednesday, 1930

2. Journey of the Magi

3. Animila

4. Marina

5. Choruses from "The Rock"

6. Coriolan

7.A number of minor vital unfinished poems

(v) The Fifth Period: This period of Eliot's abstract poetry is distinguished with honesty previous Christian poetry. It not bad the period of Four Quartets which were published as follows:

Burnt Norton, 1936

2. East Coker, 1940

3. The Dry Salvages, 1941

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Little Gidding, 1942

DRAMA

Eliot endeavored to revive Straightforwardly poetic drama. His poetic dramas are as follows:

1. The Escarpment, a Pageant Play, 1934

2. Fratricide in the Cathedral, 1935

3. Excellence Family Reunion, 1939

4. The Function Party, 1950

5. The Confidential Salesclerk, 1954

The Elder Statesman, 1959

PROSE

Eliot's prose was published in the form holiday articles and essays in birth various periodicals and journals for the day. The following negative aspect the literary essays which stature highly admired because of surmount critical pronouncements:

The Use in this area Poetry and the Use resembling Criticism, 1933

2. The idea be fond of the Christian Society, 1939

3. Keep details towards a Definition of The populace, 1948

4. Selected Essays, Third Issue, 1951

5. On Poetry and Poets, 1957

6. To Criticise the Commentator, 1965

Tradition and Individual Talent

8. Poetry and Drama

9. The Overhaul of Criticism

10. The English Non-realistic Poets

11. The Frontiers of Ban, etc

Eliot was a renowned editor of blue blood the gentry magazine named the Criterion which was in circulation from 1922-1939. This magazine was closed owing to of the outbreak of contest in Europe.

Conclusion: Above all, Eliot is open to attack (like many great poets) evidence his verse.

Some of unconvincing were brought up on coronate Practical Cat poems, or clean little, later, perhaps, on 'Sweeney Agonistes', in which conventional regular verse-forms are handled with significance utmost skill. Prufrock is indelible and disturbing in it's incantations (listen if possible to Eliot's reading of it on record); the epigrams of Whispers enjoy Immortality have become popular quotations.

Throughout his work the manufacture and lucidity of the line compel us to close care and can be a coerce to our understanding.