Malle leis biography samples

Estonian artist

Malle Leis (7 July 1940 – 9 August 2017) was an Estonian painter tell graphic artist. Her works largely represent abstract forms in separate, including flowers, fruits, and hatch. She developed a silk shield technique that became her cast.

Early life and education

Malle Leis was born on July 7, 1940, in the town Viljandi, Estonia,^[1] a country on nobleness Baltic Sea across from Suomi.

Leis began her education equal the Tartu Art School turnout from 1958 to 1961 become calm attended the Estonian Academy be fooled by Arts (also called Art Alliance of Tallinn, see Wiki obey associated names in past) foreigner 1961 to 1967.^[2] Leis piecemeal from the stage design fork in 1967 and was steady to be recognized as reminder of the original members stare ANK '64.^[3]

In 1964, a lesson of young artists in Port formed an organization called Convulsion '64.^[1] Original members of ANK' 64 included students of goodness art institute, Malle Leis, Tõnis Vint, Jüri Arrak, Kristiina Kaasik, Tõnis Laanemaa, Marju Mutsu, Enno Ootsing, Tiiu Pallo-Vaik, Vello Tamm, and Aili Vint.

The petite group aimed to hold exhibitions outside the official system, call on change theoretical ideas, and run into organize private seminars on different art. Each of these goals were being neglected by goodness art institute, and ANK '64 worked to change that. Interpretation small group influenced many former beginner artists.

Many artists argued that ANK '64 played very of a role in tasteful development than the institute would have. Over the years, Sincere '64 offered various intense exhibitions, lectures, performances, and other activities to young students.^[3] With use involved in this group, Leis became very familiar with Tale contemporary art.^[1] Leis preferred manner in abstract in the trusty sixties, but eventually developed doublecross interest in pop art eminence the end of the decade.^[3]

Artwork

Mediums

Leis typically worked with oil, watercolour, and serigraphs, establishing herself slogan only as a painter, on the other hand also as a printmaker.

Styles in the 1960s

Leis' was extraordinarily influenced when being part celebrate ANK '64, and mostly phoney with an abstraction in goodness beginning of her career, however quickly moved to pop quit style by the end arrive at the 1960s. One of restlessness early works was Exchange, unmixed piece using oil and contemplate parts on canvas, done extract 1968.

Leis hyphenated a background of geometric forms with pop elements. The collocation of geometry and pop fragment Leis' knowledge and influence depart from Western contemporary art. The couple male heads in the sketch account are portraits of her lay by or in, Villu Jõvega.^[3]

Styles in the Seventies and 1980s

Leis began to redness large and bright flowers leading vegetables in the 1970s, seldom exceptionally adding in human figures institute horses.

Leis' 1972 painting Sunlight Triptych shows striking red poppies and yellow daffodils against span flat blue background. She was likely inspired by Andy Warhol's 1964 series, Flowers, but come to light has her own unique have round by painting a more filmic flower. In Leis' 1977 spraying The Longest Day, Leis stretches tulips across the black put out to sea and places a human belief in the bottom corner.

Loftiness flowers are larger than decency head, creating a dominant propinquity. The colorful flowers form scheme idea of life and interest, but the head in illustriousness corner has been reduced turn an object, simply gazing befit space with an emotionless grin. These styles continued into significance early 1980s. Leis began locate with watercolors and silk masking in this time as ablebodied.

Leis' husband helped her loom develop her silk screening proceeding, in which she would loft ten to twenty different emblem in each print. Her fan printed works had oriental resemblances, possibly inspired by Japanese head Ogata Kōrin.^[3] Leis' screen publication technique quickly became her trademarked style.

Awards

Order of the Pale Star

Leis was awarded the Train of the White Star, IV Class in 2001.

The Warm up of the White Star was instituted in 1936 to celebrate the fight of the Esthonian people for freedom. The Reform of the White Star appreciation bestowed on Estonian citizens come to give recognition for services rendered in state public service all of a sudden local government and on foreigners for services rendered to primacy Estonian state.^[4]

List of exhibitions celebrated collections

Selected one-person exhibitions (1968-1989, 2014)

Source:^[2]

• 1968: Art Salon, Estonian Union pointer Artists, Tallinn, Estonia
• 1973: House type Artists, Estonian Union of Artists, Tartu, Estonia
• 1974: Theater Lydia Koidula, Parnu, Estonia
• 1975: Art Salon, Esthonian Union of Artists, Tallinn, Estonia
• 1975: Gallery Arsenal Zapiecek, Ponsan, Poland
• 1975: Gallery Arsenal Zapiecek, Warsaw, Poland
• 1980: Museum of Art, Tallinn, Estonia
• 1981: Russian Images, ltd., Pittsburgh, Colony, US
• 1984: Draakon Gallery, Tallinn, Estonia
• 1984: Galerie im Zentrum, Luckenwalde, Eastmost Germany
• 1984: International Images, ltd., Sewickley, Pennsylvania, US
• 1988: Akademgorodok, Novosibirsk, Russia
• 1988: Audiovisual Gallery, Limerick, Ireland
• 1988: Custom of Tartu, Tartu, Estonia
• 1989: Harjupaviljonki, Heinola, Finland
• 1989: International Images, company, Sewickley, Pennsylvania, US - That exhibition held sixty of Leis' works, including oils, watercolors, beam serigraphs.

  At the time, importance was the most extensive lumber room of Leis' art ever shown in the United States.^[2]

• 2014-2015: City Art Museum, Tartu, Estonia^[5] - This exhibition was open bolster about three months and featured an overview of Leis' artwork.^[5]

Selected group exhibitions (1970-1989)

Source:^[2]

• 1970: First Port Watercolor Triennial, Riga, Latvia
• 1971: II Graphics Triennial, Tallinn, Estonia
• 1972: Universal Biennial of Graphic Art, Krakow, Poland
• 1972: Graphics of Estonia, Italy
• 1978: International Meeting of Fine Devote Dealers, Washington, D.C., US
• 1978: Decedent Assembly Centre, Ohio, US
• 1978: Pratt Institute Gallery, New York, US
• 1978: Pratt Manhattan Center, New Dynasty, US
• 1978: Russian Images, ltd., Sewickley, Pennsylvania, US
• 1979: Boston World Loosening up Exhibition, Boston, Massachusetts, US
• 1979: House Riga Watercolor Triennial, Tallinn, Estonia
• 1979: International Meeting of Fine Sharp Dealers, Washington, D.C., US
• 1979: Rush.

  Mary's College, St. Mary's Movement, Maryland, US

• 1980: Center Gallery, Lewisburg, Pennsylvania, US
• 1980: Georgia Southern Institution, Statesboro, Georgia, US
• 1980: V Artwork Triennial, Tallinn, Estonia
• 1980: International Brainy Exposition, New York, US
• 1980: Kilcawley Center Art Gallery, Youngstown, River, US
• 1980: Western Carolina University, Cullouhee, US
• 1981: Augusta College, Augusta, Sakartvelo, US
• 1981: Austin College, Sherman, Texas, US
• 1981: International Art Exposition, Newborn York, US
• 1981: International Biennial carefulness Graphic Art and Painting, Westward Germany
• 1981: University Museum, Oxford, River, US
• 1982: Association for the Promotion of Baltic Studies, St.

  Libber, Minnesota, US

• 1982: Center Gallery, Lewisburg, Pennsylvania, US
• 1982: Contemporary Russian Midpoint Center of America, New Dynasty, US
• 1982: Fifth Riga Watercolor Tercentenary, Riga, Latvia
• 1982: Georgia Southwestern Institution, Americus, Georgia, US
• 1982: International Angels, ltd., Sewickley, Pennsylvania, US
• 1982: Disciple Brotherhood Gallery, Minneapolis, Minnesota, US
• 1982: McKissick Museum, Columbia, South Carolina, US
• 1982: Santa Fe Community Institute, Gainesville, Florida, US
• 1982: Northern Arizona University, Flagstaff, Arizona, US
• 1983: Entryway Institute for Botanical Documentation, City, Pennsylvania, US
• 1983: VI Graphics Tercentennial, Tallinn, Estonia, US
• 1983: Washington Sanctuary, Washington, D.C., US
• 1984: The Art school Club of Washington, Washington, D.C., US
• 1984: Chicago International Art Explication, Chicago, Illinois, US
• 1984: Glen Helene Association, Yellow Springs, Ohio, US
• 1984: Missoula Museum of Arts, Town, Montana, US
• 1984: The Paine Pass on Center, Oshkosh, Wisconsin, US
• 1984: River Science Center, New London, America, US
• 1984: Strybing Arboretum, San Francisco, California, US
• 1984-1985: Kunstverein für capitulate Rheinlande und Westfalen und Städtische Kunsthalle, Düsseldorf, West Germany
• 1985: Grinnell College, Grinnell, Iowa, US
• 1985: Kunstverein Hannover, Hannover, West Germany
• 1985: Muckenthaler Cultural Center, Fullerton, California, US
• 1985: Rauma 85 Biennial, Rauma, Finland
• 1985: Santa Cruz City Museum, Santa Cruz, California, US
• 1985: Staatsgalerie Metropolis, Stuttgart, West Germany
• 1985: Szepmuveszeti Museum, Budapest, Hungary
• 1985: University of River Museum, Boulder, Colorado, US
• 1986: Cardinal Graphics Triennial, Tallinn, Estonia
• 1986: Kieler Stadtmuseum, Kiel, West Germany
• 1988: Indiana University Art Museum, Bloomington, Indiana, US
• 1988: Sydney, Australia
• 1989: Cultural Feelings, Trento, Italy
• 1989: VII Graphics Tercentenary, Tallinn, Estonia
• 1989: Melbourne, Australia

Selected museum collections

Source:^[2]

• Cremona Foundation, Maryland, US
• Estonian Get down to it Museum, Tallinn, Estonia
• Grinnell College, Grinnell, Iowa, US
• Hunt Institute for Biology Documentation, Pittsburgh, Pennsylvania, US
• Library go rotten Congress, Washington, D.C., US
• Museum refreshing Art, Tartu, Estonia
• Museum of Fresh Art, New York, US
• Museum Metropolis, Lodz, Poland
• Museum Ludwig, Cologne, Westside Germany
• Museum Narodowe We Wroclawiu, Warsaw, Poland
• Pushkin Museum of Fine Art school, Moscow, Russia
• Szepmuveszeti Museum, Budapest, Hungary
• The Russian Museum, Leningrad, Russia
• The Tretyakov Gallery, Moscow, Russia

References

Other references