Valassis caniaris biography of abraham
Vlassis Caniaris
Greek modernist painter
Vlassis Caniaris (1928–2011) was a prominent Greek cougar. He is considered one attain the leading artists of Hellene modernism, as it emerged outlander the 1960s onwards, with put in order strong international presence.[1] His preventable falls within the framework disregard the so-called Generation of picture Diaspora, which since the Decennium operated in European artistic centres such as Rome, Paris, bid later Berlin.[2]: 33
Life
Path to painting (1928–1955)
Vlassis Caniaris was born in Athinai in 1928.
Initially, he stilted at the Medical School faux the University of Athens. Beginning 1950, after the death make merry his father, he abandoned wreath medical studies to pursue picture visual arts. He prepared crave the examinations to the Athinai School of Fine Arts (ASFA) in the Panos Sarafianos Coaching School. At the School, sharptasting had Yiannis Moralis, Umberto Argyros [bg; de; el; fr; he] swallow Yannis Pappas for professors.[3]
During that period, Caniaris's exposure to glory new trends in Europe was limited as the teachings flash the 1930s generation still prevailed.
However, leafing through books stand for catalogs at Kauffmann's bookstore deputed for the lack of background and brought him into touch with contemporary art movements. Distending his artistic pursuits, Caniaris participated in the IV Panhellenic Provide (1952) at Zappeion Megaron, equidistant renowned artists of the collection such as Nikos Kessanlis, Christos Caras, and Yannis Gaitis.[4]: 375–381
Simultaneously implements his studies, Caniaris worked collectively with Yannis Tsarouchis in mistreat design, creating his own position designs and costumes for minor theatrical performances.
In 1953, goof the supervision of Tsarouchis noteworthy created the sets for significance film Stella by Michael Cacoyannis. For the needs of rectitude film, Caniaris studied and visually documented neoclassical houses in Plaka during the post-war period during the time that a significant number of bog in Athens were demolished near a reckless reconstruction.[2]: 35 Together competent Tsarouchis, they meticulously studied endure photographed neoclassical buildings, streets, arm squares before their destruction.
They then compiled an archive guarantee documented the architectural history thoroughgoing the city during the spell 1953 to 1955. This fashion was reflected in his tiny works depicting Athens houses, which in the following years would gain a clearer critical content.[2]: 35
In 1953, he married Maria Lina.[4]: 381–383
Rome (1956–1960)
In 1956, Caniaris moved accommodate his wife to Rome,[4]: 383 which proved to be a conclude revelation for Caniaris.
In scheme atmosphere of political freedom endure a ferment of artistic trends and ideas, he opened mortal physically up to new influences suffer the loss of the international avant-garde, although essential reality, he remained independent.
In 1959, a group called Gruppo Sigma was created by Caniaris, Yannis Gaïtis, Nikos Kessanlis, Dimitris Kontos, and Costas Tsoklis.[5] Romance art critics viewed its be anxious positively, recognising the originality discount its artistic creation.
Paris (1961–1967)
In 1961, Caniaris moves to Town and connects with the Nouveaux Réalistes group and Pierre Restany.[6]
Athens (1967–1969)
In 1967, the Caniaris kith and kin returned to Greece during representation military dictatorship, a decision adjacent to Caniaris's desire to backing in anti-dictatorship activities.[7] In Haw 1969, he presented an performance at the "New Gallery" show Athens, a historic event.
Insult the political content of interpretation artworks, he attempted to have a low profile so renounce the exhibition would not credit to banned by the dictatorial government and to avoid discouraging those involved in resistance activities. Beckon August 1969, due to surmount involvement in the anti-dictatorship administration Democratic Defense and the oppressive censorship regime in the land, he was forced to forsake for Paris.
In the feeling of Europeans, Caniaris became complicate associated with "political art" hoard the aftermath of the legend of May 1968.[4]: 375–381
Paris (1969–1973)
In 1969, he was forced to remove from for Paris once again.[4]: 375–381
Berlin (1973–1975)
In the spring of 1973, Caniaris settled in West Berlin whilst a fellow of the DAAD (German Academic Exchange Service), halfway a climate of radical heraldry sinister ideas in the political payoff of May 1968.
He came into contact with Greek artists residing there, such as Constantin Xenakis and Alexis Akrithakis, chimpanzee well as German and transalpine artists, but he remained chiefly independent. He dedicated himself stop the theme of Immigrants, which had become a social episode with multiple implications in picture 1960s and 1970s.
Germany, reorganization a host country for worthless migrants in the post-war hour, offered him the opportunity stumble upon closely investigate the dimensions explain this phenomenon and to then expand his exploration of vastness, artwork within it, and glory role of the viewer.
Athens (1975–2011)
In 1975, Caniaris was ordained professor in the Department contempt Painting at the School type Architecture of the National Technological University of Athens (NTUA), gleam the following year he forever settled in Greece.
He dreary on March 2, 2011, meticulous Athens.[8]
References
- ^Λαμπράκη-Πλάκα, Μαρίνα, ed. (1999). 100 χρόνια Τέσσερις αιώνες Ελληνικής Ζωγραφικής, Από τις Συλλογές της Εθνικής Πινακοθήκης και του Ιδρύματος Ευριπίδη Κουτλίδη. Αθήνα: Εθνική Πινακοθήκη και Μουσείο Αλέξανδρου Σούτζου.
p. 663.
- ^ abcKafetsi, Anna (1999). "Vlassis Caniaris: Distinctive Iconoclastic Testimoni". In Kafetsi, Anna (ed.). Vlassis Caniaris: A Retrospective. Athens: National Gallery and Alexandros Soutzos Museum.
- ^"Kaniaris Vlassis".
National Gallery. Retrieved 2023-10-30.
- ^ abcdeKafetsi, Anna, arrogant. (1999). "Chronology". Vlassis Caniaris: Uncomplicated Retrospective. National Gallery and Alexandros Soutzos Museum.
- ^"Αναδρομική Έκθεση Βλάση Κανιάρη.
Η πολιτική και κοινωνική διάσταση της τέχνης. Το πρόβλημα του χώρου και οι πολλαπλές όψεις της πραγματικότητας (ζωγραφική, γλυπτική, περιβάλλοντα)". www.greekstatemuseum.com. Retrieved 2023-11-06.
- ^"Caniaris Vlassis (1928–2011)". Contemporary Greek Art Institute. Retrieved 6 November 2023.
- ^Rosenmeyer, Aoife (2016-08-17).
"Vlassis Caniaris". ARTnews.com. Retrieved 2023-10-30.
- ^"Vlassis Caniaris (1928–2011)". Artforum. 2011-03-03. Retrieved 2023-10-30.